On the monitor end of the spectrum, the Canon Vixia HF G10 has a 3.5-inch touchscreen display with a 922,000-pixel resolution. The Vixia HF G10’s battery resided on the small side and did not provide an adequate life, so backup packs are a must buy. Inside, the HF G10 has 32GB of Flash memory, which is on the light side compared to the Panasonic HDC-HS900’s 220GB HDD. The dual SD/SDHC/SDXC card slots were carried over from last year, enabling us to throw in cards with up to 64GB capacities and continuously record via Canon’s relay technology.
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Those high-end features were certainly welcomed, but in the end, it was the Canon Vixia HF G10’s supersonic image quality and exceptional low light sensitivity (courtesy of its brand new HD CMOS Pro sensor) that made it the optimal choice for the budget filmmaker or high-end enthusiast.
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Perhaps it was the beast’s giant focus ring, 8-bladed iris, ample manual controls, or improved built-in microphone. A new bar has been raised within the consumer camcorder market, and it’s called the Canon Vixia HF G10. Even Panasonic’s new HDC-HS900 could not put up the defense necessary to prevent the Vixia HF G10 from busting into the crease and dekeing its way past the goalie. Canon’s game-winning slapshot is called the Vixia HF G10, and it will go on to win the camcorder Stanley Cup this year, hands down. The year 2011 is an entirely different game of hockey, however. The Vixia HF S21 was built like a brick house, all mighty mighty, letting it all hang out, but the Panny’s manual controls and overall image quality bopped the Vixia HF S21 down to second place. In the end, I opted for the Panasonic, thanks to its intergalactic 60p video quality.
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